Shibori WORKSHOPS by Hiroshi Murase with Yoshiko I. Wada - Rent LIVE UNCUT

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  • Obōshi & Other Ground-Resist Strategies Day 1/2

    2 items

    Arimatsu, Japan has a 400-year history of shibori design and production. Around the Meiji era in Japan (early 1900’s), the Arimatsu artisans with their innovative techniques challenged the conventions of shibori at the time. Arimatsu shibori was often characterized by the white ground vs. the dar...

  • Oboshi & Other Ground-Resist Strategies, Day 2/2

    2 items

    Arimatsu, Japan has a 400-year history of shibori design and production. Around the Meiji era in Japan (early 1900’s), the Arimatsu artisans with their innovative techniques challenged the conventions of shibori at the time. Arimatsu shibori was often characterized by the white ground vs. the dar...

  • Tesuji X Nui with Kakishibu Day 1/2

    4 items

    Suggested Prerequisite: for those who have previously studied with Murase-San or with his Tesuji and Nui workshop streams.

  • Tesuji X Nui with Kakishibu Day 2/2

    5 items

    Suggested Prerequisite: for those who have previously studied with Murase-San or with his Tesuji and Nui workshop streams.

  • Nui 1/2

    1 item

    Nui Shibori (stitch-resist) and its variations: Mokume (woodgrain), Orinui (fold and edge-saw), Maki-nui (overcast stitch), and Awase-nui (double fold and edge-saw). Day 1of 2

  • Nui 2/2

    1 item

    Nui Shibori (stitch-resist) and its variations: Mokume (woodgrain) and Its Variations including Gangi Mokume (mitored woodgrain), Nuisuji (stitched pleat), , and Karamatsu (larch pine). Day 2 of 2

  • Tesuji 1/2

    1 item

    Tesuji (pleated-resist), and its variations: Yoroidan, Yanagi, Shinire, and Hinode: the historical-cultural background and technical foundations. Day 2 of 2

  • Tesuji 2/2

    1 item

    Tesuji and its variations: How to adapt the technical foundations for your own explorations. Day 2 of 2

  • Stencil and Aobana Ink Making

    1 item

    One of Murase-san’s signature artisan skills: making fugitive ink and stencils to easily mark the design for a repeat pattern. Day 1 of 1

  • Kanoko 1/2

    1 item

    Kanoko (tiny bound-resist) and its variations, Yokobiki, Hitome, Tsukidashi: the historical-cultural background as well as technical foundations. Day 1 of 2

  • Kanoko 2/2

    1 item

    Kanoko and its variations: How to adapt the technical foundations for your own explorations. Day 2 of 2

  • Miura 1/2

    1 item

    Miura (looped-bound-resist); Makiage (stitched-bound-resist), and Boshi (stitched-capped-resist): the historical-cultural background and technical foundations. Day 1 of 2

  • Miura 2/2

    1 item

    Miura, Makiage, and Boshi techniques: How to adapt the technical foundations for your own explorations. Day 2 of 2

  • Kumo 1/2

    1 item

    Kumo (spiderweb bound-resist) and its variations: the technical foundations with artisan methods and traditional tools. Day 1 of 2

  • Kumo 2/2

    1 item

    Kumo techniques: how to explore and adapt the technical foundations. Day 2 of 2