Suggested Prerequisite: for those who have previously studied with Murase-San or with his Tesuji and Nui workshop streams.

Suggested Prerequisite: for those who have previously studied with Murase-San or with his Tesuji and Nui workshop streams.

Nui Shibori (stitch-resist) and its variations: Mokume (woodgrain), Orinui (fold and edge-saw), Maki-nui (overcast stitch), and Awase-nui (double fold and edge-saw). Day 1of 2

Nui Shibori (stitch-resist) and its variations: Mokume (woodgrain) and Its Variations including Gangi Mokume (mitored woodgrain), Nuisuji (stitched pleat), , and Karamatsu (larch pine). Day 2 of 2

Tesuji (pleated-resist), and its variations: Yoroidan, Yanagi, Shinire, and Hinode: the historical-cultural background and technical foundations. Day 2 of 2

Tesuji and its variations: How to adapt the technical foundations for your own explorations. Day 2 of 2

One of Murase-san’s signature artisan skills: making fugitive ink and stencils to easily mark the design for a repeat pattern. Day 1 of 1

Kanoko (tiny bound-resist) and its variations, Yokobiki, Hitome, Tsukidashi: the historical-cultural background as well as technical foundations. Day 1 of 2

Kanoko and its variations: How to adapt the technical foundations for your own explorations. Day 2 of 2

Miura (looped-bound-resist); Makiage (stitched-bound-resist), and Boshi (stitched-capped-resist): the historical-cultural background and technical foundations. Day 1 of 2

Miura, Makiage, and Boshi techniques: How to adapt the technical foundations for your own explorations. Day 2 of 2

Kumo (spiderweb bound-resist) and its variations: the technical foundations with artisan methods and traditional tools. Day 1 of 2

Kumo techniques: how to explore and adapt the technical foundations. Day 2 of 2